Showing posts with label Gustav Manz. Show all posts
Showing posts with label Gustav Manz. Show all posts

Sunday, November 18, 2018

KING OF DIAMONDS: PAUL GILLOT



CLOCKWISE FROM LEFT: Paul Gillot, jeweler, possibly aboard the S.S. Normandie (undated photo from the Bain picture agency, Library of Congress); Lot 59: Gillot & Company fancy yellow diamond ring consigned for auction at Christie's New York; production notes on a platinum and gold ring mounting sold to Paul Gillot in 1920, from Gustav Manz's costbook archived at Winterthur Museum

Paul Gillot began his career as a draughtsman in Paris (recognized by Henri Vever, no less) before he was hired to design jewelry for Marcus & Co in NYC in 1902. Gustav Manz—an independent maker who produced special orders for Marcus, F. Walter Lawrence, Tiffany & Co. and other firms—was likely one of his first calls.

After joining his brother Adrien (a commercial artist) to fight for France in 1915, Gillot returned to NYC where he found partners and financing to go out on his own as a merchant of fancy goods with a storefront on Union Square. He resumed his association with Manz, with whom he shared a connection to Sarah Bernhardt. Manz had also worked in Paris and made a bracelet for the actress. 


A golden oak branch presented to Marshal Joffre by a delegation of American Citizens organized by jeweler Paul Gillot in 1917. Gillot designed the tribute and dedication "Au Heros de la Marne" but likely delegated the execution to a master carver such as Gustav Manz. 
IMAGE FROM ART WORLD, OCTOBER 1917

Among the commissions Manz executed for Gillot was a gold bison fob presented to journalist and French diplomat Marcel Knecht. Gillot himself served as unofficial ambassador for the French expat community in America, organizing laurels for dignitaries while selling jewelry from his boutique near La Maison Francaise at Rockefeller Center and perhaps arranging fresh mountings for stones spirited out of Europe between the wars. Gillot built a collection of colored diamonds in100-plus different shades. He died in 1949, at age 78, after falling down the stairs of his home in Hastings, leaving his Dutch-born wife and a niece in France.

A fancy yellow diamond ring, circa 1925, marked Gillot & Co will be sold at Christie's New York sale, on December 5, 2018. The reserve is 900,000 - 1,200,000. We'll definitely try to see the fancy oval-cut yellow before the auction. And toast M. Gillot with a glass of pastis after... 

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GUSTAV MANZ LLC

Monday, November 20, 2017

NO TROPHY NEEDED




We don't know precisely when Gustav Manz made his first ring depicting a young elephant emerging from tall grass, but the year he spent working in South Africa's diamond fields as a young man in the late 1880s clearly was formative. A version of this ring appears in an early photograph of his own jewelry designs for customers such as Tiffany & Co, Cartier, and Black, Starr & Frost, many incorporating lions, tigers, bears and other wildlife.  

After moving to New York in the early 1890s, Manz used his leisure time to sketch animals at the city's park zoos (where over time he earned enough trust from the keepers that he was permitted to borrow a mountain lion cub to study and sketch at his leisure). His miniature, highly realistic, representations of iconic species in precious metal became a hallmark and are highly coveted by collectors today. 


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Copyright © 2018 All Rights Reserved 
GUSTAV MANZ LLC

Monday, March 13, 2017

LOVE MEDICINE



This gouache rendering of a personalized signet ring comes from a trove of early 20th century jewelry designs left by designing goldsmith Gustav Manz. 

The entwined snakes allude to Mercury the messenger, and are often used as a symbol of medicine, though strictly speaking a single snake wrapped around a rod known as the staff of Asclepius was the image ancients associated with healing. 

Sticking with a medical theme, the initials 'PRN' on the left shank could be an abbreviation for pro re nata ("use as needed") which was invoked by medicos of yore along with primum non nocere ("first do no harm"). And the initials 'LH' on the right could refer to Lenox Hill hospital, where one of Manz's daughters received her R.N. in 1924. Originally known as the German Hospital, the clinic on Manhattan's Upper East Side was renamed in July 1918, as antipathy toward the city's sizable population of German-born immigrants revved up during WWI. 

Of course, the letters may have had nothing to do with doctors and nurses and simply been a token of love, from one set of initials to another. 'JAN' and 'U' tucked into openings between the twining serpents suggest a month that may have had significance to a prospective buyer—another jewelry mystery yet to be solved.

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Saturday, December 10, 2016

GIVE AN INCH...


HEADS OR TAILS, THE WILDLIFE WINS


Our coin pendant is handcrafted in sterling — and every purchase supports TUSK!


PRICE ON REQUEST AT 
GUSTAVMANZ.COM

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GUSTAV MANZ LLC

Sunday, November 13, 2016

ANCIENT, MODERN AND ORIENTAL



The Great Buddha (Daibutsu) monument 
Kamakura, Japan, 1923. The statue was originally gold-plated and housed inside a temple 
Image courtesy periodpaper.com

One of Gustav Manz's popular mountings features a Buddha seated inside a lotus decorated pavilion. An 18k gold version shown here was modeled, cast, chased, set, finished and polished in Manz's New York studio at 2 West 47th Street. The center ruby was furnished "on memo" by an antiques dealer named Barkhy H. Mirzy, a former jeweler and Armenian-Turkish emigre from Lebanon who specialized in oriental goods. 



"Just... breathe..."
  Water-color on parchment rendering for a 1923
finger ring; image from Manz & Co costbooks
Winterthur Museum, Joseph Downs Collection


According to a notation in Manz's stockbook, Tiffany & Company bought the ring on September 25, 1923, just three weeks after a major earthquake struck Japan. The quake rocked the ancient city of Kamakura, where an enormous bronze statue of the Buddha—weighing 93 tonnes—shifted a distance of two feet! Whether the timing of the Tiffany purchase was an act of karma or just coincidence, the piece was just one of hundreds of rings, brooches, bracelets and cufflinks Manz designed and his artisans crafted for the store's jewelry department in the post-World War I decade.


Below, lotus detail from one of Manz's
 jewelry renderings from the 1920s
Winterthur Museum, Joseph Downs Collection




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GUSTAV MANZ LLC



Tuesday, April 26, 2016

DROMEDARIES & LAPIDARIES: A JEWELER'S DESERT FANTASY


Gustav Manz's scenic "Desert Brooch" (c. 1901-3) traveled to some notable venues, including the National Arts Club and the Louisiana Purchase Exposition in St. Louis, Missouri. According to the entry form submitted to the Exposition by jeweler and exhibitor F. Walter Lawrence (who commissioned the piece), the fragment of "Phoenician glass" framed by miniature palms and a train of camels came out of the Old City of Jerusalem.

More astonishing, that ancient city itself would be replicated on ten acres of the fairground, featuring 1:1 scale models of the Wailing Wall, Tower of David, and a cast of Moslem, Christian, and Jewish concessionaires hired to walk around in traditional garb herding livestock, enacting ye olde handicrafts, and performing religious rituals!


Perhaps one of their delegation purchased the Manz brooch as a reverse souvenir before heading home, for it has not surfaced publicly since the photo above was shot for a spread in Town & Country magazine a few months prior to the fair's opening day, April 30, 1904.


Click here to read Professor Milette Shamir's illustrated account of the Jersusalem Exhibit. More about Gustav Manz's jewelry at the fair in our earlier post OLYMPIC DREAMS. 


Below: A re-creation of Jaffa Gate, Jerusalem, at the 1904 Louisiana Purchase Exposition (St. Louis Public Library)


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Wednesday, April 6, 2016

HOMAGE TO LALIQUE



Gold, opal, pearl and diamond cloisonne pendant in the form of two peacocks confronting one another, circa 1901 
Collection of the Metropolitan Museum

In honor of Rene Lalique's day of birth (April 6, 1860), The Met posted an image of this double peacock pendant on Instagram. 

A peacock regarding its own reflection or kissing its twin (because who else would?) is pretty amusing. But the way the enameling reflects the gem-set tail feathers draped around the opal takes your breath away. 

The jewels Lalique exhibited at the Salon de Paris from the late 19th century until he turned his focus exclusively to glassmaking in the early 20th were widely published for the trade in places like Jewelers' Circular—as in the image below, which appeared on the front page of the August 17, 1898 edition—and were also "a sensation" at the 1900 Exposition Universelle in Paris. 




As a journeyman jeweler in the 1880s before setting up his own business in New York, Gustav Manz (1865-1946) worked in Paris, where he likely saw Lalique's pieces at the Salon or at his shop on rue de Quatre-Septembre. One of the items Manz later recalled when his only granddaughter interviewed him about his accomplishments was the bracelet he'd crafted for Lalique's great muse Sarah Bernhardt (unfortunately no date or descriptive details were preserved). 

The peafowl has strutted its stuff through every era but particularly fascinated jewelers of the Art Nouveau and Arts and Crafts period. Manz was no exception. For his take on this flashy creature, check out our earlier post "Birds of a Feather."



A black and white photographic print of an illustration ("Homage") by John Hassall, British watercolorist and advertising artist of the Edwardian period

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Thursday, December 31, 2015

RING IN THE NEW YEAR

"Only connect...."
—E. M. Forster

Gustav Manz design for "Diana" ring mounting 
Sold to George Bell, December 1919
Winterthur Museum Archives

       

NEW YEAR'S EVE
By D. H. Lawrence (1885–1930)

[From Look! We Have Come Through! 1918]

THERE are only two things now,

The great black night scooped out

And this fire-glow.


This fire-glow, the core,

And we the two ripe pips

That are held in store.


Listen, the darkness rings

As it circulates round our fire.

Take off your things.


Your shoulders, your bruised throat!
        
Your breasts, your nakedness!

This fiery coat!


As the darkness flickers and dips,

As the firelight falls and leaps

From your feet to your lips!

T. R. Smith, comp.  Poetica Erotica: Rare and Curious 
Amatory Verse.  1921–22.


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GUSTAV MANZ LLC